UNBORN BELIEVERS is a poetic, AI-generated short film that imagines the emotional and metaphysical experience of life before birth. Told through the voices of two unborn twins, the film explores consciousness in its earliest form — floating between biology and spirit, fear and desire, memory and destiny.

As the twins converse from within the womb, they reflect on the world awaiting them, questioning whether they chose to come into this life and what it means to arrive in a body. It's a surreal meditation on existence, identity, and the tension between innocence and knowledge — all before taking a first breath.

Unborn Believers is part of the larger anthology DAMN 8760, a series directed by Alessia Moccia under the E-uphoria label.

THE SON OF A NARCISSIST - DAMN 8760 A fully AI-generated short film. Based on a true story. Dedicated to my husband. This film is not a documentary. It’s a reconstruction of memory — of silence, of wounds, of survival. Told through the eyes of a child raised under the control of a malignant narcissist and the ghostlike silence of a complicit mother and a grandmother whose darkness hid in plain sight. The Son of a Narcissist is a descent into emotional programming — and a rise into freedom. Entirely created using AI tools, from imagery to voices and motion, this film uses simulation to express a truth too heavy for traditional storytelling. It is my love letter, my act of justice, and my offering — to those who were never believed, to those still healing, and to Andrea — who lived it.

THE RUNAWAY BRIDE — DAMN 8760. 8,760 hours. One year. A life streamed, filtered, overwritten. “We wear three masks,” wrote Robert Greene. “The one we show the world, the one we show those close to us, and the one we never take off.” But what if none of them are real anymore? In a digital world where memory is outsourced to algorithms and identity is curated in feeds, The Runaway Bride begins her escape—not from a wedding, but from herself. She enters Hotel 8760, a surreal sanctuary in the twilight zone of identity, where elevators glitch with corrupted memories and timelines slip like filters. Here, the self is a loop—shared, saved, distorted. If your past is stored online, who are you without it? This is not just an escape. It’s a reboot. Or maybe, a re-entry into another performance. Social media taught us how to pose. DAMN 8760 asks if we can still feel. What is real? What is remembered? And when the bride runs—does she run toward freedom, or the next version of the mask?

THE COWGIRL — DAMN 8760 8,760 hours. One year. A land erased, voices silenced, stories buried beneath dust. The Cowgirl rides alone—not for revenge, but for justice. Jasmine is a Native spirit reborn in a hyperreal desert, where the Old West is no longer a myth but a glitching memory. She rides through scorched landscapes and corrupted archives, her lasso made of ancestral echoes and digital fragments. Alongside her, the narrator, Lola—a proud symbol of the LGBTQ+ community—guides the story like a ghost in the wind. This isn’t a Western. It’s a reclamation. It's a remix of a genre that once erased her kind. DAMN 8760 reframes the frontier: not as a conquest but as resistance. If identity is coded, then rebellion must be reprogrammed. Jasmine doesn’t ride into the sunset. She rides into the system. What is justice in a world that edits the past? What does freedom look like when history was never yours to begin with? The Cowgirl rides—and this time, the story is hers.