AI Film Director for Fashion, Beauty & Luxury

Alessia Moccia is a fashion photographer and AI film director creating cinematic films and visual campaigns for fashion, beauty, fragrance and luxury brands.

Her approach to AI filmmaking is rooted in photography and cinema: concept, casting, framing, light, movement, editing and sound are directed as parts of one visual world.

Generative AI is the medium. Direction remains human.

SELECTED COMMERCIAL AI FILMS

THE OUTNET — Forever Chapters
AI Film Direction · Fashion Film Series · 2026

Arabiyat Prestige — Fragrance Film Series
AI Film Direction · Beauty & Fragrance · 2026

AUTHORIAL FILMS

Artificial Innocence — 2026
Photographic & Moving-Image Project

Divine Synthesis - Moving-Image Project

DAMN 8760: The Masks We Shed ‍Robert Greene writes, “We wear three masks: one for the world, one for those close to us, and one we never take off.”
But what happens when life cracks the third one — and something truer emerges? DAMN 8760 is a film series that explores the masks we wear — and the ones we never take off.
8760 — the number of hours in a year — becomes the measure of unseen change.
Each short film captures one of those hours: raw, surreal, and emotionally real.

Created at the early edge of AI filmmaking.

UNBORN BELIEVERS is a poetic, AI-generated short film that imagines the emotional and metaphysical experience of life before birth. Told through the voices of two unborn twins, the film explores consciousness in its earliest form — floating between biology and spirit, fear and desire, memory and destiny.

As the twins converse from within the womb, they reflect on the world awaiting them, questioning whether they chose to come into this life and what it means to arrive in a body. It's a surreal meditation on existence, identity, and the tension between innocence and knowledge — all before taking a first breath.

Unborn Believers is part of the larger anthology DAMN 8760, a series directed by Alessia Moccia under the E-uphoria label.

June 2023

THE RUNAWAY BRIDE A life streamed, filtered, overwritten. “We wear three masks,” wrote Robert Greene. “The one we show the world, the one we show those close to us, and the one we never take off.” But what if none of them are real anymore? In a digital world where memory is outsourced to algorithms and identity is curated in feeds, The Runaway Bride begins her escape—not from a wedding, but from herself.

She enters Hotel 8760, a surreal sanctuary in the twilight zone of identity, where elevators glitch with corrupted memories and timelines slip like filters. Here, the self is a loop—shared, saved, distorted. If your past is stored online, who are you without it? This is not just an escape. It’s a reboot. Or maybe a re-entry into another performance. Social media taught us how to pose. DAMN 8760 asks if we can still feel.

What is real? What is remembered? And when the bride runs—does she run toward freedom, or the next version of the mask?

March 2023

THE SON OF A NARCISSIST ‍ ‍

Created through a fully digital process, from imagery to voice and motion.

Based on a true story.

Dedicated to my husband.

This film is not a documentary. It’s a reconstruction of memory — of silence, of wounds, of survival.

Told through the eyes of a child raised under the control of a malignant narcissist and the ghostlike silence of a complicit mother and a grandmother whose darkness hid in plain sight.

The Son of a Narcissist is a descent into emotional programming — and a rise into freedom.

This film uses simulation to express a truth too heavy for traditional storytelling. It is my love letter, my act of justice, and my offering — to those who were never believed, to those still healing, and to Andrea — who lived it.

May 2023